Photography by Arnaud Falchier
Tiffany Mangulabnan (she/her)
dancer, choreographer, teacher
COMPANY HISTORY
|
Company |
Role/s |
Year/s |
Location |
|
konverjdans |
Founding Co-Artistic Director, Choreographer, Dancer |
2016-present |
Brooklyn, NY |
|
The Metropolitan Opera |
Dancer |
2022-present |
New York, NY |
|
Carolina Ballet |
Guest Choreographer |
2023 |
Raleigh, North Carolina |
|
Woman in Motion Dance Co |
Guest Choreographer |
2023 |
New York, NY |
|
The Joffrey Ballet School of New York |
Ballet Teacher |
2022-present |
New York, NY |
|
SUNY Purchase Dance Conservatory |
Advanced Pointe & Variations Teacher |
2023-present |
Purchase, NY |
|
Barnard College / Columbia University |
Guest Artist Choreographer |
2022 |
New York, NY |
|
John Passafiume Dancers |
Dancer, Production Assistant |
2020-present |
New York, NY |
|
Pigeonwing Dance |
Dancer/Collaborator |
2017-present |
New York, NY |
|
Gleich Dances / Norte Maar |
Dancer, Production Assistant |
2016-present |
Brooklyn, NY |
|
Indelible Dance |
Dancer, Contributing Choreographer |
2017-present |
New York, NY |
|
Trainor Dance |
Dancer |
2019 |
New York, NY |
|
Noguchi Museum |
Performing Artist |
2019-2020 |
Queens, NY |
|
The Whitney Museum |
Performing Artist |
2019 |
New York, NY |
|
Terra Firma Dance |
Dancer |
2013-2018 |
New York, NY; Washington, DC |
|
Emery LeCrone DANCE |
Dancer |
2016-2017 |
New York, NY |
|
Claudia Schreier & Co. |
Dancer |
2017 |
New York, NY |
|
Matthew Brookoff Repertory Ensemble |
Dancer |
2017 |
New York, NY |
|
Alison Cook Beatty Dance |
Dancer |
2012 |
New York, NY |
|
BalletNext |
Dancer |
2012-2016 |
New York, NY |
|
Philippine Ballet Theatre |
Principal Dancer |
2010-2012 |
Manila, Philippines |
CHOREOGRAPHIC REPERTOIRE
|
Work |
Company/Producer |
Year |
|
‘Noctuelle' |
Carolina Ballet |
2023 |
|
‘Passing Swells' |
Woman in Motion Dance Co |
2023 |
|
‘briefly gorgeous’ |
Norte Maar |
2023 |
|
‘Chosen Oceans’ |
Barnard College / Columbia University |
2022 |
|
‘Don’t Get Comfy / Nowhere’ |
konverjdans |
2022 |
|
‘Don’t Get Comfy’ (work-in-progress) |
Dance Lab New York |
2021 |
|
‘In Her Words’ |
Ballet Vero Beach, Riverside Theatre FL |
2021 |
|
‘Las Piezas’ |
Dance Initiative |
2021 |
|
‘Parecemos’ (dance film) |
Numasbala |
2021 |
|
‘She is Water’ (dance film) |
Danspace Ballet School |
2021 |
|
‘If I Were a Woman’ (for Zoom/live film) |
konverjdans |
2020 |
|
Marzipan in ‘The Nutshell’ (dance film; in collaboration with Jordan Miller and Amy Saunder) |
Mannakin Theater and Dance |
2020 |
|
‘Cascata’ |
konverjdans |
2020 |
|
‘Waking/Dreaming Space’ (for Zoom) |
konverjdans |
2020 |
|
‘HER PRIDE’ (dance film) |
Self-produced |
2020 |
|
‘Dragon’ (in collaboration with Jordan Miller and Amy Saunder) |
Indelible Dance |
2019 |
|
‘Nobody Knows Our Names’ |
konverjdans |
2019 |
|
‘You Can Be Baby Too’ |
konverjdans |
2018 |
|
‘(Listening) Through Walls’ |
konverjdans |
2017-2019 |
|
‘Realigned’ (in collaboration with Jordan Miller and Amy Saunder) |
konverjdans |
2017-2018 |
|
‘STRATA’ (in collaboration with Jordan Miller and Amy Saunder) |
konverjdans |
2017 |
PERFORMANCE REPERTOIRE
|
Choreographer |
Work / Year Performed |
Company |
|
George Balanchine |
‘Serenade’ (2004), ‘Who Cares?’ (2001) |
Philippine Ballet Theatre |
|
Mario Bigonzetti |
‘La Folia’ (2014), ‘Bachground’ (2014) |
BalletNext |
|
Matthew Brookoff |
‘Fracture’ (2017) |
Brookoff Dance |
|
David Campos-Canteros |
‘Carmina Burana’ (2010) |
Philippine Ballet Theatre |
|
Robin Cantrell |
‘Us VS Them’ (2017), ‘No Man’s Land’ (2018), ‘Odyssey’ (2019), ‘Triptych’ (Skin Hunger) (2021, film) |
Indelible Dance |
|
Michael Chernov & Gelsey Kirkland |
‘The Nutcracker’ (2011) (Dew Drop Fairy) |
Philippine Ballet Theatre |
|
Jean-Paul Comelin |
‘Cinderella’ (2005) (Winter Fairy) |
Philippine Ballet Theatre |
|
Alison Cook-Beatty |
‘Tintinnabuli’ (2012) |
ACB Dance Company |
|
Tobin Eason |
‘Mea Culpa’ (2014) |
BalletNext |
|
Brendan Fernandes |
‘The Master and Form’ (2019), ‘Contract and Release’ (2019), 'This Act' (2022) |
The Whitney Museum; The Noguchi Museum; The Chrysler Museum of Art |
|
Julia Gleich |
‘Immovable’ (2016), ‘A White Room’ (2016), ‘Martha (The Searchers)’ (2017), ‘a lite refrain’ (2017), ‘See Through’ (2018), ‘A Dream of a Painting’ (2019), ‘Wake to Bear Rocks’ (2020), 'Esprit de Corps de Boogie' (2019, 2022), |
Gleich Dances / Norte Maar |
|
Ronilo Jaynario |
‘Ang Buhay’ (2010), ‘Beatles Revisited’ (2009) |
Philippine Ballet Theatre |
|
Katarzyna Kozielska |
‘As Yet, Not Named’ (2014) |
BalletNext |
|
Enrico Labayen |
'Arias' (2004), 'Ocean' (2004), ‘Vivaldi Sketches’ (2005), ‘Puirt a Beaul’ (2005) |
Steps Dance Studio; Philippine Ballet Theatre |
|
Gabrielle Lamb |
‘Refactory’ (2017), ‘Bewilderness’ (2018), ‘Tensible’ (2019), ‘Plexus: a work in knots’ (2020), ‘The Carpet Series’ (2020, 2021, 2022), ‘Oscillation Study #9’ (2020), ‘Viriditas’ (2021, film), 'Rising' (2023) |
Pigeonwing Dance |
|
Lorin Latarro |
‘La Traviata' (Scene 22) (2022-2023) |
The Metropolitan Opera |
|
Emery LeCrone |
‘And My Beloved’ (2017), ‘The Innermost Part of Something’ (2017), ‘Radiant Field’ (2017) |
Emery LeCrone DANCE |
|
Stuart Loungway |
‘Stagioni’ (2013), ‘Mockingbird’ (2016) |
Terra Firma Dance |
|
Alden Lugnasin |
‘Rizal Revisited’ (2007) |
Ballet Philippines |
|
Graham Lustig |
‘Madame Butterfly’ (2003) |
Philippine Ballet Theatre |
|
Jordan Miller |
‘Cetacean Shadow’ (2018), ‘Falling Dreams’ (2020, film), ‘Windowsill’ (2021, film), ‘Ghost Warning’ (2021), 'We just seem to be here' (2022) |
konverjdans |
|
Kim Neal Nofsinger |
‘Imago [Pupa Part II]’ (2015) |
The Tenth Intervention |
|
Thomas Pazik |
‘Romeo & Juliet’ (2001, 2004, 2011) |
Philippine Ballet Theatre |
|
Marius Petipa |
‘Swan Lake’ (as Odette/Odile) (2010), ‘Paquita Grand Pas Classique’ (2010) (Paquita), ‘La Bayadere’ (2004), ‘Raymonda’ Grand Pas (2010), ‘Don Quixote’ (2001, 2004) |
Philippine Ballet Theatre |
|
Caili Quan |
‘Not So Cirrus’ (2017), ‘Rosé then Red’ (2018), ‘hers in mind’ (2020) |
konverjdans |
|
Peter Quanz |
‘Outswirl’ (2014) |
BalletNext |
|
Brian Reeder |
‘Picnic’ (2013), ‘Surmisable Units’ (2014), ‘Strange Flowers’ (2015) |
BalletNext |
|
Ariel Rivka |
‘Returning’ (2021) |
|
|
Camilo A. Rodriguez |
‘je, tu, il, elle’ (2018) |
Ballet Vero Beach |
|
Amy Saunder |
‘SHINE’ (2017), ‘Quantum Entanglement’ (2019), ‘Picture Me Afloat’ (2021), 'We Tell Ourselves Stories' (2022) |
konverjdans |
|
Claudia Schreier |
‘Charge’ (2017), ‘Wordplay’ (2017) |
Claudia Schreier & Co. |
|
Caitlin Trainor |
‘Gameshow’ (2019) |
Trainor Dance |
|
Michele Wiles |
‘All the Drops of Water’ (2013), ‘Querencia’ (2014), ‘Ushuaia’ (2014), ‘Something Sampled’ (2015), ‘Apogee in 3’ (2015), ‘Don’t Blink’ (2015) |
BalletNext |
FILMOGRAPHY
|
Title |
Role/s |
Producer |
Year |
|
‘In Phases' |
Choreographer, Dancer, Editor |
Norte Maar |
2022 |
|
‘Behind the Puzzle Pieces’ (2022 Seattle Film Festival Official Nominee: Best Documentary Film Short) |
Writer, Director, Choreographer, Editor |
konverjdans, Dance Initiative |
2021 |
|
‘Falling Dreams’ |
Dancer |
konverjdans |
2021 |
|
‘Parecemos’ |
Writer, Director, Dancer, Choreographer, Editor |
Numasbala |
2021 |
|
‘No Quiero Soltarte’ |
Editor |
Numasbala |
2021 |
|
‘She is Water’ |
Director, Choreographer, Editor |
Danspace Ballet School |
2021 |
|
‘Triptych’ (2022 IMdb Independent Shorts Awards Winner: Best Screendance Short) |
Dancer |
Indelible Dance |
2021 |
|
‘Viriditas’ |
Dancer |
Pigeonwing Dance |
2021 |
|
‘Windowsill’ |
Dancer |
konverjdans |
2021 |
|
‘Returning’ |
Dancer, Editor |
konverjdans |
2021 |
|
‘When I Learned to Sing’ |
Dancer |
konverjdans |
2020 |
|
‘HER PRIDE’ |
Director, Choreographer, Sound Designer, Cinematographer, Editor |
Cortney Taylor Key, Tiffany Mangulabnan |
2020 |
|
‘Odyssey’ |
Dancer |
Indelible Dance |
2019 |
EDUCATION/TRAINING
|
University of the Philippines Diliman (Journalism) |
2009-2010 |
Manila, Philippines |
|
Lifestyle Asia Magazine (Intern, Writer) |
2008-2009 |
Manila, Philippines |
|
Alonzo King’s LINES Ballet |
2007 |
San Francisco, California |
|
Ballet Philippines CCP Dance School |
2006-2007 |
Manila, Philippines |
|
Philippine Ballet Theatre (Training; Company Apprenticeship) |
2001-2005 |
Manila, Philippines |